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Henrik Ibsen’s A Doll’s House was foundational to modern drama. Having dabbled in scandanavian folklore (see Peer Gynt), A Doll’s House marked his transition towards plays that captured the tensions ripping the seams of 19th-century domestic life. Nora’s husband, lawyer and banker.
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However, Nora reveals that she was going to kill her herself because she thought that Torvald would step forward and defend her, ruining his life and career. She explains that she has realized that she can no longer live with Torvald, whom she considers to be a stranger to her, and wishes to leave in order to discover a sense of who she is. Torvald at first calls her stupid and insane, before changing his tone and promising to change so that she will stay. Nora, resolute, says she must leave. Torvald is left alone onstage in despair.
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You ought to have come to town a little earlier,Christine. Certainly Torvald does understand how to make a house dainty andattractive. So you are going to be dressed up tomorrow Nora. I will tellyou what—I shall come in for a moment and see you in your fine feathers.But I have completely forgotten to thank you for a delightful eveningyesterday. As a matter of fact, it is something you could help mewith. Let us sit down here on the sofa.
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The Helmers’ children are named Ivar, Bobby and Emmy. When Nora plays with them, she appears to be a doting and playful mother, perhaps as a nod to her childlike demeanor. In Henrik Ibsen's A Doll’s House, characters use false surfaces and middle class comforts to conceal their struggles and neuroses. As the play unfolds, the characters face the consequences of these suppressed feelings, with each individual handling the consequences differently. After Nora leaves the keys and her wedding ring, Torvald breaks down crying. Nora then leaves the house, her action emphasized with her slamming of the front door.
I did it for your sake, and this is how you repay me. HELMER.Yes, my own darling Nora. Do you know, when I am out at a party with you likethis, why I speak so little to you, keep away from you, and only send a stolenglance in your direction now and then? It isbecause I make believe to myself that we are secretly in love, and you are mysecretly promised bride, and that no one suspects there is anything between us. On the contrary, I feel extraordinarily lively.
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A Doll’s House, play in three acts by Henrik Ibsen, published in Norwegian as Et dukkehjem in 1879 and performed the same year. The play centres on an ordinary family—Torvald Helmer, a bank lawyer, and his wife, Nora, and their three little children. Torvald supposes himself the ethical member of the family, while his wife assumes the role of the pretty and irresponsible little woman in order to flatter him. When Nora’s act is revealed, Torvald reacts with outrage and repudiates her out of concern for his own social reputation. Kristine Linde is an old friend of Nora’s. She is in town looking for a job because her late husband died bankrupt and she has to support herself.
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Torvald brings up his concern with reputation again, and insists that she fulfill her duty as a wife and mother. To that, Nora replies that she has duties to herself that are just as important, and that she cannot be a good mother or wife without learning to be more than a plaything. She reveals she had actually planned to kill herself, expecting he would want to sacrifice his reputation for hers, but that was not the case.
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NORA.I am looking forward tremendously to the fancy-dress ball at theStenborgs’ the day after tomorrow. NORA.It was impossible; papa was so ill. KROGSTAD.And you naturally did so at once, because five or six days afterwards youbrought me the bond with your father’s signature. KROGSTAD.Oh, I have known your husband from our student days.
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When I am sitting here, talking to you asintimately as this, I cannot imagine for a moment what would have become of meif I had never come into this house. It is so dark here now, buttomorrow—. You must only look at the feet. Oh well, you mayhave leave to look at the legs too. NORA.[brings him in and shuts the door after him]. Oh, you know very well Ialways have time for you.
All my life, as long as I can remember, Ihave worked, and it has been my greatest and only pleasure. But now I am quitealone in the world—my life is so dreadfully empty and I feel so forsaken.There is not the least pleasure in working for one’s self. Nils, give mesomeone and something to work for. When I lost you, it was as if all the solid ground wentfrom under my feet. Look at me now—I am a shipwrecked man clinging to abit of wreckage.
—once in a way—That’s so, isn’t it, DoctorRank? [Puts a macaroon into his mouth.] You must have onetoo, Christine. And I shall have one, just a little one—or at most two.[Walking about.] I am tremendously happy.
Only you had notsufficient knowledge to judge of the means you used. But do you suppose you areany the less dear to me, because you don’t understand how to act on yourown responsibility? No, no; only lean on me; I will advise you and direct you.I should not be a man if this womanly helplessness did not just give you adouble attractiveness in my eyes. You must not think anymore about the hardthings I said in my first moment of consternation, when I thought everythingwas going to overwhelm me. I have forgiven you, Nora; I swear to you I haveforgiven you.
Kristine arrives to help Nora repair a dress for a costume function that she and Torvald plan to attend the next day. Torvald returns from the bank, and Nora pleads with him to reinstate Krogstad, claiming she is worried Krogstad will publish libelous articles about Torvald and ruin his career. Torvald then retires to his study to work. Krogstad, a lower-level employee at Torvald's bank, arrives and goes into the study. Nora is clearly uneasy when she sees him.
NORA.Then you must be my witness, that it is not true, Christine. I am not out of mymind at all; I am in my right senses now, and I tell you no one else has knownanything about it; I, and I alone, did the whole thing. KROGSTAD.He will; I know him; he dare not protest.
But come here and let me show you what I have bought. Look, here is a new suit for Ivar, and a sword; and a horse and atrumpet for Bob; and a doll and dolly’s bedstead for Emmy,—they arevery plain, but anyway she will soon break them in pieces. And here aredress-lengths and handkerchiefs for the maids; old Anne ought really to havesomething better. Torvald explains that, when a man has forgiven his wife, it makes him love her all the more since it reminds him that she is totally dependent on him, like a child.
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